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micro bionic:
RADICAL ELECTRONIC MUSIC AND SOUND ART IN THE 21ST CENTURY

Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey, composed 2006-2008 and first published in late 2009 in both hardcover and paperback editions. A superior, revised edition is now available as a digital download, as well as in paperback form. This new edition includes all of the original supplements refused by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography.

As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence enacted by onkyo and New Berlin Minimalism, the annihilating noise transmitted from the humble laptop computers of Russell Haswell and Peter Rehberg and much more besides. Although the journey begins in the Industrial 1980s, in order to trace how the innovations of that period have gained greater currency in the present, it surveys a wide array of artists breaking ground in the 21st century with radical attitudes and techniques. A healthy amount of global travel and concentrated listening have combined to make this a sophisticated yet accessible document, unafraid to explore both the transgressive extremes of this culture and the more deftly concealed interstices thereof.

Part historical document, part survival manual for the marginalized electronic musician, part sociological investigation, Micro Bionic is a number of different things, and as such will likely generate a variety of reactions. Numerous exclusive interviews with leading lights of the field were also conducted for this book: Peter Christopherson (Throbbing Gristle / Coil), William Bennett (Whitehouse), Peter Rehberg, John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag, Zbigniew Karkowski and many others weigh in with a diversity of thoughts and opinions that underscore the incredible diversity to be found within new electronic music itself.

purchase paperback edition

free e-book available : download here

Here for you is over 400 pages of inspiring reading, with more interesting material than the original 2009 version, AND with far less 'filler' and far fewer errors. The text is fully searchable, and pre-bookmarked so you can easily jump to the most relevant sections.

Please note that this e-book is available for any price that you feel is appropriate. This does mean that you can choose to pay nothing. Or that you can pay a substantial sum of money as well. While I would ideally like to make this book free with no additional disclaimers, I can still very much use your help.

I realize, of course, that many of you also live in a situation of grinding poverty. And that's why I choose to make this book free to those who have no means of paying. However, if you can pay even a few dollars for this text (which did involve a very considerable amount of work on my behalf), please do so by clicking on the "donate" button in the footer.

"Every little bit helps," for sure- not only to keep me going, but to provide you with information that is ignored or under-represented by much of the communications media of our time.

THANK YOU FOR YOUR SUPPORT.

praise for micro bionic

"Wow! Impressive...I've never before seen such a thorough, clear understanding of my work and my perspective. I'm used to childish music reviews and very nerdy statements about CD covers etc...so this is like another level, and one that definitely is largely missing in this environment of so-called experimental music." - Francisco López

"t is continually surprising how detailed it is, knowledgeable I mean [...] with your book, it's a whole curriculum that it inspires."

- David Schafer, author of Separated United Forms